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Hello everyone,

Today, Thursday 19th February we have over 2000 people from all over the world and from many Christian and some non-Christian denominations joining together in prayer.

Here in Ireland we call today Shrove Tuesday. Ash Wednesday is a day of fast and abstinence, a tradition that goes way back. So on Shrove Tuesday the cupboards were emptied as we went into Lent and the Lenten period was kept as a period of fasting to a certain extent. It was a period of self-denial, hence the tradition of giving up something for Lent. The tradition was to use up eggs etc. and so we have another name for the day - Pancake Day.

Traditionally this is the day when all the rich food in the home is used up – meat, cream, butter, eggs, so that we can begin Lent frugally. Shrove Tuesday is a day of fun and feasting. In parts of Europe it is still a day of Carnival (Carnival comes from the Latin words for ‘meat’ and ‘goodbye’. So
the word Carnival literally means ‘goodbye to meat’ - hence the abstinence.) We abstain from meat on days of abstinence of which there are now only three in the Liturgical year - Ash Wednesday, Good Friday and Christmas Eve. It used to be every Friday when I was growing up as a mark of respect for the day of Crucifixion and an offering of sacrifice. Nowadays abstinence is only carried out on Ash Wednesday and Good Friday and not by all. It's a pity to see these traditions fall away as a little self-sacrifice offered up for others is no bad thing.

The word ‘shrive’ means to pronounce Absolution and in pre-reformation England a bell would be rung on Shrove Tuesday (sometimes called the pancake bell), and people would queue up to go to Confession to be ‘shriven’ from their sins and failings. They would receive a penance to be
completed during the 40 days of Lent. Shrove Tuesday is a day of fun in contrast to the quiet, reflective days of Lent

We continue with our meditations on the Passion of Christ but with a slight difference this week. I've had a bit of a battle with sickness this past few weeks so my intended weekly reflection on the Passion through the Stations of the Cross have gone a bit awry. I also haven't been able to catch up with all the prayer requests coming in so, if you'll forgive me, I'll include them all as one and start over again as soon as possible, God willing. Each one will be acknowledged as usual and the new Prayer Warriors added as time allows. I'm not sure how things will pan out for the next few weeks as I'm facing into a bit of surgery early next week. I had to postpone admission yesterday as I'm stuffed to the gills with a cold, so it's difficult at this stage to make any plans. Please keep all that in your prayers, as I know you will. 'Nuff guff about me, on to more interesting things.

There is so much talk in the US about Mel Gibson's movie The Passion of the Christ and I've been following it with much interest. This movie will have a huge affect on anyone who goes to see it. I have a feeling it will turn lives completely around and open the door to prayer in a big way.

If ever a world needed prayer it's right now, it's every minute of the day, every day of the week, every week of the year! We need to breath in prayer, we need to live in prayer, we need to work in prayer, we need to play in prayer, we need to have every waking moment focussed on the Lord, offering Him our all. And we need to close our day in prayer to see us through the night.

We need to pray for every single person in this world that the Holy Spirit will touch the hearts of all. We need to love, even when it nearly chokes us to try and do so. We need to forgive even when it will be the most difficult thing we have ever had to do. We need to trust as if we were hanging over a cliff and only the Hand of God will pull us back. Coz folks, the world is on the edge of that cliff right now and prayer is the only answer!

Ash Wednesday's almost here and you lucky folk across the big puddle will have the chance to see the movie from that day on. We here in Ireland will have to wait another few weeks. I look forward to this one so much. No amount of reflections I try to give will have the effect this movie will. This is what the Love of God is all about. This movie is not about Jews or Christians or Muslims or any other religious group, it's about the whole of mankind. It's the very reason for the Incarnation - the salvation of everyone who was, is and is yet to be. It's Truth. It's the complete story - from the stable in Bethlehem through the Suffering and Passion to the Resurrection. I know the movie is about the final hours but we have sanitised Christ, we have forgotten the bit about dying for our sins - we've gone from the lovely Christmas story straight to the beauty of the Resurrection. It's time we started to see the real reason for the Incarnation - redemption of man's sinful nature and that it came at a terrible cost. Until we reflect on the Passion we will never fully understand the Resurrection or that Jesus
died in a most horrific fashion for a world in sin - you, me and every one! Every sin of every person since Adam and Eve to the end of time. 

Two of the reflections this week were sent by one of our Prayer Warriors, the third is a reflection on the movie from ZENIT which arrived last night just as I'd finished writing but thought was well worth including too. Perhaps some of you have already read them, but I think they might make us think a bit (and there's enough reading for you all to get me out of a bind for a week or two).

Till next time, pass the word around, look to the Heavens and maybe even get a few together in wee prayer groups. Remember what He said - "For where two or three come together in my name, there am I with them." Matthew 18:20

God Bless,

Mary in Galway

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Paul Harvey's comments on THE PASSION, movie by Mel Gibson

The majority of the media are complaining about this movie. Now Paul Harvey tells "The rest of the story" and David Limbaugh praises Gibson. Most people would wait and see a movie before giving the reviews that have been issued by the reporters trying to tell all of us what to believe. 

Paul Harvey's words: 

I really did not know what to expect. I was thrilled to have been invited to a private viewing of Mel Gibson's film "The Passion," but I had also read all the cautious articles and spin. I grew up in a Jewish town and owe much of my own faith journey to the influence. I have a life long, deeply held aversion to anything that might even indirectly encourage any form of anti-Semitic thought, language or actions. 

I arrived at the private viewing for "The Passion", held in Washington DC and greeted some familiar faces. The environment was typically Washingtonian, with people greeting you with a smile but seeming to look beyond you, having an agenda beyond the words.. The film was very briefly introduced, without fanfare, and then the room darkened. From the gripping opening scene in the Garden of Gethsemane, to the very human and tender portrayal of the earthly ministry of Jesus, through the betrayal, the arrest, the scourging, the way of the cross, the encounter with the thieves, the surrender on the Cross, until the final scene in the empty tomb, this was not simply a movie; it was an encounter, unlike anything I have ever experienced. 

In addition to being a masterpiece of film-making and an artistic triumph, "The Passion" evoked more deep reflection, sorrow and emotional reaction within me than anything since my wedding, my ordination or the birth of my children. Frankly, I will never be the same. When the film concluded, this "invitation only" gathering of "movers and shakers" in Washington, DC were shaking indeed, but this time from sobbing. I am not sure there was a dry eye in the place. The crowd that had been glad-handing before the film was now eerily silent. No one could speak because words were woefully inadequate. We had experienced a kind of art that is a rarity in life, the kind that makes heaven touch earth. 

One scene in the film has now been forever etched in my mind. A brutalized, wounded Jesus was soon to fall again under the weight of the cross. His mother had made her way along the Via Della Rosa. As she ran to him, she flashed back to a memory of Jesus as a child, falling in the dirt road outside of their home. Just as she reached to protect him from the fall, she was now reaching to touch his wounded adult face. Jesus looked at her with intensely probing and passionately loving eyes (and at all of us through the screen) and said "Behold I make all things new." These are words taken from the last Book of the New Testament, the Book of Revelations. Suddenly, the purpose of the pain was so clear and the wounds, that earlier in the film had been so difficult to see in His face, His back, indeed all over His body, became intensely beautiful. They had been borne voluntarily for love. 

At the end of the film, after we had all had a chance to recover, a question and answer period ensued. The unanimous praise for the film, from a rather diverse crowd, was as astounding as the compliments were effusive. The questions included the one question that seems to follow this film, even though it has not yet even been released. "Why is this film considered by some to be "anti-Semitic?" Frankly, having now experienced (you do not "view" this film) "The Passion" it is a question that is impossible to answer. A law professor whom I admire sat in front of me. He raised his hand and responded "After watching this film, I do not understand how anyone can insinuate that it even remotely presents that the Jews killed Jesus. It doesn't." He continued "It made me realize that my sins killed Jesus" I agree. There is not a scintilla of anti-Semitism to be found anywhere in this powerful film. If there were, I would be among the first to decry it. It faithfully tells the Gospel story in a dramatically beautiful, sensitive and profoundly engaging way. 

Those who are alleging otherwise have either not seen the film or have another agenda behind their protestations. This is not a "Christian" film, in the sense that it will appeal only to those who identify themselves as followers of Jesus Christ. It is a deeply human, beautiful story that will deeply touch all men and women. It is a profound work of art. Yes, its producer is a Catholic Christian and thankfully has remained faithful to the Gospel text; if that is no longer acceptable behavior than we are all in trouble. History demands that we remain faithful to the story and Christians have a right to tell it. After all, we believe that it is the greatest story ever told and that its message is for all men and women. The greatest right is the right to hear the truth. 

We would all be well advised to remember that the Gospel narratives to which "The Passion" is so faithful were written by Jewish men who followed a Jewish Rabbi whose life and teaching have forever changed the history of the world. The problem is not the message but those who have distorted it and used it for hate rather than love. The solution is not to censor the message, but rather to promote the kind of gift of love that is Mel Gibson's filmmaking masterpiece, "The Passion." 

It should be seen by as many people as possible. I intend to do everything I can to make sure that is the case. I am passionate about "The Passion." You will be as well. Don't miss it! This is a commentary by DAVID LIMBAUGH about Mel Gibson's very controversial movie regarding Christ's crucifixion. It, too, is well worth reading. 

MEL GIBSON'S passion for "THE PASSION"

How ironic that when a movie producer takes artistic license with historical events, he is lionized as artistic, creative and brilliant, but  when another takes special care to be true to the real-life story, he is vilified. Actor-producer Mel Gibson is discovering these truths the hard way as he is having difficulty finding a United States studio or distributor for his upcoming film, "The Passion," which depicts the last 12 hours of the life of Jesus Christ. 

Gibson co-wrote the script and financed, directed and produced the movie. For the script, he and his co-author relied on the New Testament Gospels of Matthew, Mark, Luke and John, as well as the diaries of St. Anne Catherine Emmerich (1774-1824) and Mary of Agreda's "The City of God." 

Gibson doesn't want this to be like other sterilized religious epics. "I'm trying to access the story on a very personal level and trying to be very real about it." So committed to realistically portraying what many would consider the most important half-day in the history of the universe. Gibson even shot the film in the Aramaic language of the period. In response to objections that viewers will not be able to understand that language, Gibson said, "Hopefully, I'll be able to transcend the language barriers with my visual storytelling; if I fail, I fail, but at least it'll be a monumental failure." 

To further insure the accuracy of the work, Gibson has enlisted the counsel of pastors and theologians, and has received rave reviews. Don Hodel, president of Focus on the Family, said, "I was very impressed. The movie is historically and theologically accurate." Ted Haggard, pastor of New Life Church in Colorado Springs, Colo., and president of the National  Evangelical Association, glowed: "It conveys, more accurately than any other film, who Jesus was." 

During the filming, Gibson, a devout Catholic, attended Mass every morning because "we had to be squeaky clean just working on this." From Gibson's perspective, this movie is not about Mel Gibson. It's bigger than he is. "I'm not a preacher, and I'm not a pastor," he said. "But I really feel my career was leading me to make this. The Holy Ghost was working through me on this film, and I was just directing traffic. I hope the film has the power to evangelize." 

Even before the release of the movie, scheduled for March 2004, Gibson is getting his wish. "Everyone who worked on this movie was changed. There were agnostics and Muslims on set converting to Christianity...[and] people being healed of diseases." Gibson wants people to understand through the movie, if they don't already, the incalculable influence Christ has had on the world. And he grasps that Christ is controversial precisely because of  WHO HE IS - GOD incarnate. "And that's the point of my film really, to show all that turmoil around him politically and with religious leaders and the people, all because He is Who He is." 

Gibson is beginning to experience first hand just how controversial Christ is. Critics have not only speciously challenged the movie's authenticity, but have charged that it is disparaging to Jews, which Gibson vehemently denies. "This is not a Christian vs. Jewish thing. '[Jesus] came into the world, and it knew him not.' Looking at Christ's crucifixion, I look first at my own culpability in that." Jesuit Father William J. Fulco, who translated the script into Aramaic and Latin, said he saw no hint of  anti-Semitism in the movie. Fulco added, "I would be aghast at any suggestion that Mel Gibson is anti-Semitic." Nevertheless, certain groups and some in the mainstream press have been very critical of Gibson's "Passion." 

The New York Post's Andrea Peyser chided him: "There is still time, Mel, to tell the truth." Boston Globe columnist James Carroll denounced Gibson's literal reading of the biblical accounts. "Even a faithful repetition of the Gospel stories of the death of Jesus can do damage exactly because those sacred texts themselves carry the virus of Jew hatred," wrote Carroll. A group of Jewish and Christian academics has issued an 18-page report slamming all aspects of the film, including its undue emphasis on Christ's passion rather than "a broader vision." The report disapproves of the movie's treatment of Christ's passion as historical fact. 

The moral is that if you want the popular culture to laud your work on Christ, make sure it either depicts Him as a homosexual or as an everyday sinner with no particular redeeming value (literally). In our anti-Christian culture, the blasphemous "The Last Temptation of Christ" is celebrated and "The Passion" is condemned. But if this movie continues to affect people the way it is now, no amount of cultural opposition will suppress its force and its positive impact on lives everywhere. Mel Gibson is a model of faith and courage. 

Please copy this and send it on to all your friends to let them know about this film so that we'll all go see it when it comes out.

"'The Passion' … for Its Author, Is a Mass"
Vittorio Messori on Mel Gibson's Work

ROME, FEB. 18, 2004 (Zenit.org).- Vittorio Messori is the first journalist in history to publish a book-length interview with a pope, the multimillion-selling "Crossing the Threshold of Hope" (1994), as well as numerous other works such as "The Ratzinger Report" (1987) and his best-selling "Ipotesi su Gesù" (The Jesus Hypothesis, 1976). 

After seeing Mel Gibson's "The Passion of the Christ," he wrote the following article for the Italian daily Corriere della Sera and offered the piece to ZENIT for publication in other languages. 

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A Passion of Violence and Love

By Vittorio Messori 

After two hours and six minutes, the lights flick on again in the little soundproof room. There are only about a dozen of us (I the sole journalist), and we are aware of a privilege. By invitation of Mel Gibson and producer Steve McEveety of Icon Films, we are the first in Europe to see the final copy of this film which just arrived from Los Angeles. The same version that next Wednesday will be in 2,000 American cinemas, 500 English ones, and as many Australian, the version whose expectation has caused a short circuit on Internet sites and which in the first week will recover (the bookmakers say it is certain) the $30 million of production costs. 

The Pope himself has only seen a provisional version, lacking among other things the final soundtrack. But, if this evening we are the first, the Italians will have to wait until the 7th of April, the French and the Spanish until June. 

When the long list of credits ends, where American names alternate with Italian, where recognition of the municipality of Matera is side by side with that of theologians and experts in ancient languages, where Rosalinda, the daughter of Celentano (the devil) is next to a Romanian Jew, Maia Morgenstern (the Virgin Mary), and the technician presses the light switch, silence continues in the little room. 

Two women weep quietly, without sobbing; the monsignor in clergyman's dress who is next to me is very pale, his eyes closed; the young ecclesiastical secretary nervously fingers a rosary; a tentative, solitary start of applause quickly dies out in embarrassment. 

For many, very long minutes, no one stands up, no one moves, no one speaks. So, what we were being told was true: "The Passion of The Christ" has struck us, it has worked in us, the first guinea pigs, the effect that Gibson wanted. 

For what it's worth, I myself was disconcerted and speechless: For years I have examined one by one the Greek words with which the Evangelists recount those events; not one historical minutia of those 12 hours in Jerusalem is unknown to me. I have addressed it in a 400-page book that Gibson himself has taken into account. I know everything, or rather, I now discover that I thought I knew: everything changes if those words are translated into images of such power to transform in flesh and blood, striking signs of love and hatred. 

The Gamble

Mel has said it with pride tempered by humility, with pragmatism kneaded with mysticism which becomes in him a singular mixture: "If this work was to fail, for 50 years there will be no future for religious films. We threw the best in here: as much money as we wished, prestige, time, rigor, the charism of great actors, the science of the learned, inspirations of the mystics, experience, advanced technology. Above all, we threw in our conviction that it was worthwhile, that what takes place in those hours concerns every man. Our eternity is bound up forever with this Jew. If we don't point this out, who will be able to do so? But we will point it out, I am sure of it: Our work was accompanied by too many signs that confirm it." 

In fact, on the set much more happened than what is known; much will remain in the secret of consciences: conversions, release from drugs, reconciliation between enemies, giving up of adulterous ties, apparitions of mysterious personages, extraordinary explosions of energy, enigmatic figures who knelt down as the extraordinary Caviezel-Jesus passed by, even two flashes of lightning, one of which struck the cross, but did not hurt anyone. And, then, coincidences read like signs: the Madonna with the face of the Jewish actress with the name Morgenstern which, it was only noticed later, is, in German, the "Morning Star" of the litanies of the rosary. 

Gibson remembered Blessed Angelico's warning: "To depict Christ, it is necessary to live with Christ." The atmosphere, between the Sassi di Matera and the Cinecittà Studios seems to have been that of the sacred medieval representations, of processions of scourged pilgrims before the relics of martyrs. A 14th-century Thespis' cart, with which every evening, a priest in black cassock, of the type with the long line of buttons, celebrated an open-air Mass, in Latin, according to the rite of St. Pius V. Precisely here, in fact, is the real reason for the decision to make the Jews speak in their popular language, Aramaic, and the Romans in a low Latin, of the military, which wounds our schoolboy ears, used to Ciceronian refinements. 

Gibson, a Catholic who loves the Tradition, is a strong champion of the doctrine confirmed by the Council of Trent: the Mass is "also" a fraternal meal but it is "above all" Jesus' sacrifice, the bloodless renewal of the passion. This is what matters, not the "understanding of the words," as the new liturgists wish, whose superficiality Mel mocks as it seems like blasphemy to him. The redemptive value of the actions and gestures that have their culmination on Calvary has no need of expressions that anyone can understand. 

This film, for its author, is a Mass: Let it be, then, in an obscure language, as it was for so many centuries. If the mind does not understand, so much the better. What matters is that the heart understands that all that happened redeems us from sin and opens to us the doors of salvation. Precisely as the prophecy of Isaiah reminds us on the "Servant of Yahweh" which, taking up the whole screen, is the prologue of the entire film. The wonder, however, seems to me to be verified: After a while, one stops reading the subtitles to enter, without distractions, in the terrible and marvelous scenes -- that are sufficient in themselves. 

The Quality

On the technical plane, the work is of a very high quality, so much so that previous films on Jesus might seem reduced to poor and archaic relatives: in Gibson, strategic lighting, skillful photography, extraordinary costumes, rugged and sometimes sumptuous set designs, incredibly convincing makeup, recitations of great professionals supervised by a director who is also one of their illustrious colleagues. Above all, such amazing special effects which, as Enzo Sisti, the executive producer, said to us, will remain secret, to confirm the enigma of the work, where the technique is intended to be at the service of faith. A faith in the most Catholic version -- no accident that it was pleasing to the Pope and to so many cardinals, not excluding Ratzinger, for whom "The Passion" is a manifesto that abounds in symbols that only a competent eye can fully discern. There will be a book (two, in fact, are in preparation) to help the spectator understand. 

Very briefly, the radical "Catholicity" of the film lies first of all in the refusal of every demythicization, in taking the Gospels as precise chronicles: The things, we are told, happened like this, precisely as the Scriptures describe it. Catholicism is present, then, in the recognition of the divinity of Jesus which exists together with his full humanity. A divinity that bursts forth, dramatically, in the superhuman capacity of that body to suffer a level of pain as no one before or after ever has, in expiation of all the sin of the world. 

But the radical "Catholicity" is also in the Eucharistic aspect, reaffirmed in its materiality: The blood of the Passion is continuously intermingled with the wine of the Mass, the tortured flesh of the "corpus Christi" with the consecrated bread. It is, also, in the strongly Marian tone: the Mother and the devil (who is feminine or, perhaps, androgynous) are omnipresent, the one with her silent pain, the other with his/her malicious satisfaction.

From Anne Catherine Emmerich, the stigmatized visionary, Gibson has taken extraordinary intuitions: Claudia Procula, Pilate's wife, who offers, weeping, to Mary the cloths to soak up the blood of the Son is among the scenes of greatest delicacy in a film that, more than violent, is brutal. Brutal as, in fact, the Passion was. The desperate Peter after the denial, falls at the feet of the Blessed Virgin to obtain pardon. I believe, however, that the theological importance attributed to the Madonna, as well as to the Eucharist -- an importance not spiritualized, not reduced to a "memorial" but seen in the most material, and therefore Catholic, way (the Transubstantiation) -- will create some uneasiness in American Protestant churches which, without having seen the film, have already organized themselves to support its distribution. 

If two hours are dedicated to the martyrdom, two minutes suffice to recall that that was not the last word. From Good Friday to Easter Sunday, to the Resurrection, which Gibson has resolved by making a particular reading of John's words: an "emptying" of the funeral shroud, leaving a sufficient sign to "see and believe" that the tortured one has triumphed over death. 

Anti-Semitism or, at least, anti-Judaism? Let's not play around with words that are much too serious. From my viewing, I agree with the many and authoritative American Jews who admonish their co-religionists not to condemn before seeing. It comes across very clearly in the film that what weighs Christ down and reduces him to that state is not this one's or that one's fault, but rather the sin of all men, no one excluded. 

To Caiaphas' obstinacy in calling for the crucifixion (that collaborator Sadducee who did not in fact represent the Jewish people, but, rather was detested by them; the Talmud reserves terrible words for him and for his father-in-law Annas), more than abundant counterbalance is made by the unheard-of sadism of the Roman executioners. The political cowardice of Pilate that leads him to violate his conscience stands counter to the courage of the member of the Sanhedrin -- an episode added by the director -- who confronts the High Priest crying out that that trial is illegal. And is it not John, a Jew, who supports the Mother? Is not the pious Veronica a Jew? Is not the impetuous Simon of Cyrene a Jew? Are not the women of Jerusalem, crying out in despair, all Jews? And is it not Peter -- a Jew -- who, when forgiven, will die for the Master? 

At the beginning of the film, before the drama is unleashed, an anguished Magdalene asks the Virgin: "Why is this night so different from any other?" "Because," Mary answers, "we were all slaves and now we will no longer be so." All, but absolutely all: whether they are "Jews or Gentiles." This work, Mel Gibson says, saddened by aggressions to prevent it, intends to propose again the message of a God who is Love. And what Love would it be if he excluded any one? 
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Two little reminders again for this week - Eucharistic Adoration for Vocations now stands at over 130,000 hours. Let's try and make it 1,000,000 in 2004! You can log in your hours online at their own
website below or do as we did here in our Perpetual Adoration Chapel, print off the poster and the forms and leave them in your own Chapel of Adoration, sending in the numbers every week via the website below.

http://www.circleofprayer.com/vocations-poster.html
http://www.circleofprayer.com/vocations-form.html

Here's the Vocations website:

http://www.vocation.com

And don't forget those prayers for the Holy Souls, there are some below. Please keep your deceased relatives, friends, neighbours and especially those who have no one to pray for them, in your prayers and at Masses you attend.

Here's the Holy Souls Crusade website:

And below is a great little morning prayer to start the day off and help us to keep focused on the Lord.

May God the Father, Son and Holy Spirit bless you and yours and may Mary keep you in Her heavenly mother's care.

Mary Mullins in Galway, Ireland

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Morning Offering

Lord Jesus, I give You my hands to do Your work
I give You my feet to go Your way.
I give You my eyes to see as You do.
I give You my tongue to speak Your words.
I give You my mind that You may think in me.
I give You my spirit that You may pray in me.
Above all, I give You my heart that You may love in me, Your Father, and all mankind.
I give You my whole self that You may grow in me, so that it is You, Lord Jesus, who live and work and pray in me. Amen.

Chaplet of the Holy Souls

This Chaplet can be prayed on a set of Rosary Beads.

Begin with: The Creed, then 1 Our Father, 3 Hail Marys, 1 Glory Be for the Pope’s intentions.

On Large Beads Pray: 

O holy souls draw the fire of God’s Love into my soul to reveal Jesus crucified in me, here on earth, rather than hereafter in Purgatory.

On Small Beads Pray:

Crucified Lord Jesus have mercy on the souls in Purgatory

End with: Glory Be three times

Cardinal Newman’s Prayer for the Holy Souls

O most gentle heart of Jesus, ever present in the Blessed Sacrament, ever consumed with burning love for the poor captive souls in Purgatory, have mercy on the souls of Your servants. Bring them from the shadows of exile to Your bright home in Heaven, where we trust You and Your Blessed Mother have woven for them a crown of unfolding bliss. Amen.

Prayer of St. Gertrude for the Holy Souls

Eternal Father, I offer you the Most Precious Blood of your Divine Son, 
Jesus, in union with all the masses said throughout the world today for 
all the Holy Souls in Purgatory, for sinners everywhere, for sinners in the 
Universal Church, those in my own home and within my family. Amen."

Prayer for Your Family

"O Dear Jesus, I humbly implore You to grant Your special graces to our family this day. In Your Divine Mercy make our home a shrine of peace, love and faith. I beg You, Dear Jesus, to protect and bless all of us and our families absent and present, living and dead. O Mary loving Mother of Jesus and our Mother, pray to Jesus the Divine Mercy for our family, and for all the families of the world. Ask Him to guard the tiny infant in the womb, the cradle of the newborn, the young in the schools and those about to start their vocations in life. Amen"

Prayer for Your Adult Children

"Heavenly Mother, keep us always in mind of Your Son's great mercy and understanding as we pray for our children. They are grown up now and have left us and are living their own lives according to their own ideals. We feel anxious and worried because they do not seem to feel the need for Christ. to understand the wisdom of His ways, or to be fully at ease with us or themselves. Intervene, dearest Mother, in their lives at the moment You know to be right and help them to understand the things that lead to their peace. Help them to see the need of Christ and to experience the greatness of His love, so that we may all proclaim as You did, that His mercy truly is from generation to generation. Amen"

Prayer to Saint Joseph, Patron Saint of Families

"Good Saint Joseph, Your life and love protected and nourished the Mother of God and Jesus Christ, her son. Your fatherly care led to maturity He through whom all creation began. Through your
intercession, may God guide and protect all human life from conception to natural death, and lead our nation in the ways of truth and love. Pray for us, good Saint Joseph, that joined with Christ Jesus, we might give praise to God forever.  Amen"

ACT OF CONSECRATION TO THE SACRED HEART OF JESUS & THE IMMACULATE HEART OF MARY

Most Sacred Heart of Jesus and Immaculate Heart of Mary, I consecrate myself and my whole family to You. We consecrate to You our very being and all our life, all that we are, all that we have and all that we love. To you we give our bodies, our hearts and our souls. To You we dedicate our home and our country.

Mindful of this consecration we now promise you to live the Christian way by the practice of Christian virtues without regard for human respect. O most Sacred Hearts of Jesus and Mary accept our humble confidence and this act of consecration by which we entrust ourselves and our family to you. In you we put all our hope, we shall never be confounded. Most Sacred Heart of Jesus have mercy on us. Immaculate Heart of Mary pray for us.

Prayer for the World

"JESUS of NAZARETH has triumphed over Death. His Reign is Eternal. He is coming to conquer the
world and the time.

"Mercy, my God on those who blaspheme You,
Forgive them, they know not what they do.

"Mercy, my God, for the scandal in the world,
Deliver them from the spirit of Satan.

"Mercy, my God, on those who run away from You
Give them an appreciation for the Holy Eucharist.

"Mercy, my God, on those who come to repent at the foot of the Glorious Cross. May they find Peace and Joy in God our Saviour.

"Mercy, my God, so that Your Kingdom may come, but save souls, there is still time; for the time is near, behold, I am coming. Amen

Come, Lord Jesus."

Recite one decade of the Rosary

"Lord, pour out on the whole world the treasures of Your Infinite Mercy."

"Through the Mystery of Your Holy Incarnation,
deliver us from all evil, Lord.

Through Your Nativity,
deliver us from all evil, Lord.

Through Your Baptism and Holy Fasting,
deliver us from all evil, Lord.

Through Your Cross and Passion,
deliver us from all evil, Lord.

Through Your Death and Burial,
deliver us from all evil, Lord.

Through Your Holy Resurrection,
deliver us from all evil, Lord.

Through Your Admirable Ascension,
deliver us from all evil, Lord.

Through the coming of the Holy Spirit, the Paraclete,
deliver us from all evil, Lord.

Through Him whose Name reigns eternal,
deliver us from all evil, Lord."

Prayer of Protection

Blessed Michael the Archangel, protect us in the hour of conflict. Be our safeguard against the wickedness and snares of the devil. May God restrain him, we humbly pray, and do thou, Oh Prince of the Heavenly Hosts, by the Power of God, thrust satan down to hell and with him all the wicked spirits who wander through the world for the ruin of souls. Amen

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All of the Reflections to date are available to read in the Archives on the website for anyone who's interested.

The Weekly Intentions are available on a plain page to be able to print off and kept to hand for your own prayer time. The list has become too long now to include each week but please say the
two wee prayers below. The Loving Father knows the heart of each person requesting prayer.

"Father, bless all those who have requested prayers in whatever it is that You know they may be needing this day! Father, we ask You to heal the broken bodies, broken minds, broken spirits, broken hearts and broken marriages and may all their lives be full of Your peace, prosperity, and power as they seek to have a close relationship with You. Amen."

"Thank You Jesus for answering our prayers because we know You hear every prayer and never refuse to answer. You are providing answers and healings from the prayers of all these wonderful people. Praise God!"

"Breathe in me O Holy Spirit that my thoughts may all be holy;
Act in me O Holy Spirit that my work, too, may be holy;
Strengthen me O Holy Spirit to defend all that is holy;
Guard me then O Holy Spirit that I always may be holy."

"O Holy Spirit, beloved of my soul, I adore You. Enlighten me, guide me, strengthen me, console me, tell me what I should do. Give me Your orders. I promise to submit myself to all that You desire of me and to accept all that You permit to happen to me. Let me only know Your will. Amen"

May God the Father, Son and Holy Spirit bless and guide you and yours and may Mary keep you in Her heavenly mother's care.

Mary in Galway

'The fruit of silence is prayer; the fruit of prayer is faith; the fruit of faith is love; the fruit of love is service; the fruit of service is peace.'